The Pearly Gates Archive is a reimagining of early and mid twentieth century vernacular photography. It is composed of deconstructed analog photographs digitally rendered into depictions of the no man’s land that bisects the analog and digital topographies of early twenty-first century cultural confusion and decline.

Source materials were culled from found photographs from my own collection and the permissions free archives of the Library of Congress of the United States, digitally sliced and diced, reimagined, reassembled and output to hard copy pigmented ink prints.